Producing Org TBD
,
04/18/2025
Ten Thousand Things
Minneapolis, MN
04/18/2025
Capital Repertory Theatre
Albany, NY
04/18/2025
NYTheater Festival Fall/Winter 2025/2026
New York, NY
04/18/2025
Producing Org TBD
,
04/18/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Monday, April 28, 2025
11:55 PM - 11:59 PM (E)
CONTRACT
Production (League)
$2638 weekly minimum
SEEKING
Equity actors for roles in THE LOST BOYS (see breakdown).
All Stage Managerial positions are currently filled.
PREPARATION
Please prepare a short cut of a contemporary pop/rock song that shows your style and vocal range.
LOCATION
Via Submission
New York, NY 10036
PERSONNEL
Producers: Marcus Chait, James Carpinello, & Patrick Wilson
Director: Michael Arden
Choreographers: Lauren Yalango-Grant & Christopher Cree Grant
Book: David Hornsby & Chris Hoch
Music: The Rescues
Music Supervisor: Ethan Popp
Casting: The Telsey Office
General Management: Bespoke Theatricals
VIEWING SUBMISSIONS:
Craig Burns (Casting Director)
Kristian Charbonier (Casting Director)
Jimmy Larkin (Casting Director)
OTHER DATES
Spring 2026
OTHER
The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members' submissions have been viewed, the employer will notify each member whose audition they viewed.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
THE LOST BOYS
SEEKING:
MICHAEL – character portrayed is male, to play 17-18. The oldest of the Emerson boys. As archetypes go, he’s our brooding teen. Conflicted. Bit of a loner. Has become the protector of the family against his alcoholic father’s abusive behavior. He carries a lot of pain inside. And has grown up quicker than he should’ve. But he doesn’t ask for sympathy. Deep down he longs to be a part of a tribe where he belongs and finds connection. He’ll find it in Star and David but it will come, unsuspectingly, at a price. Rock tenor.
STAR – character portrayed is female, to play 17-18. A teenager with a troubled past. She holds a lot of pain but is fiercely protective of showing herself. She has a biting sense of humor and sees Michael at first as a little lamb lost in the woods. She has sought refuge in David but feels regret about the state of her situation. She finds connection in an unlikely partner in Michael. They bond in their trauma. High rock belt.
EDGAR FROG – character portrayed is male, 18+ to play 14-15. Santa Carla local. Militant in devotion and dress. He and his brother Alan have seen one too many Chuck Norris movies. They hang at the local comic bookstore and have both poured themselves into fighting the main threat to Santa Carla: vampires. Since no one believes them, they have to find the perfect recruits to enlist in their “army.” They find it in a reluctant Sam. Rock tenor voice.
ALAN FROG – character portrayed is 18+ to play 14-15, can be played by any gender. Alan is an intense, combat obsessed fourteen-year-old, who - alongside their brother Edgar - has made their life mission ridding the world of bloodsucking vampires. They dress in army clothes and emulate their role model; Rambo. Rock alto voice.
LUCY – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is female, early 40s. The matriarch of the Emerson family. A former hippie whose faith in people and goodness has gotten her into trouble in the past. (read: her ex-husband) She carries a lot of guilt for the pain she’s put her kids through. Messy, kind-hearted and resilient, she’s determined to start anew and protect her family. She and Michael have their own underlying tensions as he blames her for staying too long in her marriage. He feels she didn’t protect him. Lucy finds possible male companionship in Santa Carla and starts to be seduced by the sexiest notion of all: stability. High rock belt.
SAM – THERE IS AN OFFER OUT ON THIS ROLE. character is male, 13. Michael’s younger teen brother. Back in Arizona, he developed a keen wit that acts as an effective defensive tool against bullies. Both at school and at home. He’s outgoing as opposed to Michael’s introverted personality. Pours himself into comic books as an escape. He’s a mall rat who experiences culture shock after moving to the off-beat Santa Carla. Despite his sense of humor, Sam is sensitive and waiting to break free. And he is about to learn what he’s truly made of in this strange California beach town. High rock tenor, good falsetto.
DAVID – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is male, 20s. Intense, dangerous, and charismatic leader of the Lost Boys. He can disarm with a smile. An old soul in many ways, he sees in Michael a possible partner for whom he has waited a long time. He offers safety and security to all he enlists to be a part of his family. He offers a security to Michael that Michael never had from his own father. To Star, he offers love but it comes at a price. Rock bari-tenor.
MAX – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is male, mid forties-50. The owner and founder of Videomax video stores. Lucy’s boss. He hires her on the spot after being charmed by her. They have an attraction despite their differences and backgrounds. He is the embodiment of 80s Reagan can-do conservatism and optimistic capitalism. He’s kind and charming and seems to be the answer to Lucy’s problems. A single father himself, with his own grown boys, he offers Lucy stability and, in his opinion, what every young man needs: a stable father figure. We will come to find he’s got ulterior motives and is the head vampire to the Lost Boys. Strong singer.
MARKO – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is male, 20s. Perhaps he’s the most loyal to David and considers himself to be the “favorite”. He’s not. He loves this family of his. Playful. Preferably can play an instrument in a rock band. Role requires comedy chops as well as being intimidating. Strong rock voice.
PAUL – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is male, 20s. Marko’s best friend. Earnest. A great sense of humor. Thinks he’s David’s favorite as well. Ready to defend his brothers at any cost. Preferably can play an instrument in a rock band. Role requires comedy chops as well as being intimidating. Strong rock voice.
DWAYNE – THERE IS AN OFFER OUT ON THIS ROLE. character portrayed is male, 20s. The live wire of the group. Quieter but loyal and violent. Preferably can play an instrument in a rock band. Possesses comedy chops as well as being intimidating. Strong rock voice.
Ten Thousand Things
Minneapolis, MN
04/18/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Sunday, April 27, 2025
10:00 AM - 6:00 PM (C)
BREAK: 2:30PM - 3:00PM
AND
Monday, April 28, 2025
10:00 AM - 3:00 PM (C)
APPOINTMENTS
Please sign up for a 5-minute in-person audition slot here https://calendly.com/caitlin-t...
Audition form to fill out prior to arrival or for a virtual submission. Includes headshot and resume upload: https://docs.google.com/forms/...
CONTRACT
SPT
$789 weekly minimum (SPT 8)
SEEKING
Equity actors for roles in Ten Thousand Things 2025-2026 Season (see breakdown).
We would be delighted for actors of all abilities, disabilities, ethnicities, cultures, and gender identities to audition with particular encouragement to global majority and gender-expansive artists. TTT employs diverse, inclusive, and gender imaginative casting for all roles as culturally appropriate to the telling of the story. The genders of the characters and the genders of the artist do not need to match, though for story-telling, the gender of the characters may need to be explicitly legible to the audience.
PREPARATION
Required: Verse monologue, no more than two minutes. Additional if actor desires: we would be happy to also hear a contemporary monologue and/or short song of your choice, a cappella or self-accompanied, as long as it fits within the five minutes. *No accompanist is on site. A capella singing reflects the minimal instrumentation used under performance conditions.
LOCATION
Bottling House Theater
79 13th Ave NE
Minneapolis, MN 55413-1070
Free parking in the lot west of the building. Studio on 2nd floor; elevator accessible.
PERSONNEL
See breakdown for production-specific personnel.
EXPECTED TO ATTEND:
Caitlin Lowans, Artistic Director, director of Two Gents and Most Happy Fella
Anna Schloerb, Interim Production Manager, Ten Thousand Things
Joy Dolo, director Men on Boats
OTHER DATES
See breakdown for production-specific dates.
OTHER
If you are unable to attend the in-person audition video submissions will be accepted. To submit a virtual submission please fill out the form at the following link: Audition form to fill out prior to arrival or for a virtual submission. Includes headshot and resume upload: https://docs.google.com/forms/...
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
TEN THOUSAND THINGS 2025 - 2026 SEASON
TWO GENTLEMEN OF VERONA
by William Shakespeare
First rehearsal, Monday, August 25, 2025
First community performance: Wednesday, September 24, 2025
First public performance: Thursday, October 9, 2025
Closing: Sunday, November 2, 2025
NOTE: This production plays with the ending to achieve a celebration of friendship and the power of admitting when you've changed. Actors with experience in heightened text, physical comedy, rapid and magical switching of characters, and general silliness are encouraged to audition.
SEEKING:
Julia/ Sir Thurio/ Outlaw (F, 20s-40s): strong-willed, adventurous. In love with the idea of love.
Silvia/ Sir Thurio/ Panthino/Outlaw (F, 20s-40s): is her own north star.
Valentine/ Sir Eglamour (M, 20s-40s): Eager to see the world. Changes his mind but admits when he's wrong.
Proteus/Outlaw (M, 20s-40s): Clever, Always tries to get what he wants. Loves his friend but only to a point. Will sing a love song.
Duke/ Lucetta/ Speed/ Launce/ Host/ Outlaw/ Sir Thurio (any gender, any age) Doubles two clowns, two fathers, a maid, a pompous suitor, and others. Ideally a fantastic physical comedian who loves to utilize voice and physicality to create razor-sharply delineated characters.
MEN ON BOATS
by Jacklyn Backhaus
First rehearsal Monday, January 5, 2026
First community performance: Wednesday, February 4, 2026
First public performance: Thursday, February 19, 2026
Closing: Sunday, March 15, 2026
NOTE: While all named characters historically were cis men, the theatre's artistic vision for this production is a re-imagining of MEN ON BOATS that looks to explore and explode ideas of masculinity. Women, non-binary/gender expansive, and Native actors are encouraged to audition for all roles.
SEEKING:
John Wesley Powell – one-armed leader of the expedition
William Dunn – hunter and trapper
John Colton Sumner – former soldier, current explorer
Old Shady – Powell’s older brother, Civil War veteran
Bradley – lieutenant, spilling over with youthful energy
O.G. Howland / Tsauwiat – printer and hunter / a Ute leader
Seneca Howland / The Bishop – O.G.’s quiet little brother / married to Tsauwiat
Frank Goodman / Mr. Asa – British, so excited / a desert settler
Hall – mapmaker, old soul
Hawkins – the cook
MOST HAPPY FELLA
by Frank Loesser (musical)
First Rehearsal, Monday, March 30, 2026
First community performance: Wednesday, April 29, 2026
First public performance: Thursday, May 14, 2026
Closing: Sunday, June 7, 2026
SEEKING:
Tony: (M, 55-70s) A grape farmer who immigrated to the US. Warm and genuine but also insecure at times.
Rosabella (F, late 20s-30s) Lost in love and work, she needs to experience and explore her dreams
Cleo & others (F, late 20s-40s) Nonplussed, self-confident, funny. A true friend with a strong personality and a clever mind.
Joe & others (M, late 20s-30s) foreman of the vineyard. Unable to settle down. Hardworking. Avoids hard conversation
Marie & others (F, 40s-50s) Tony's strong-willed younger sister who will fight to protect her brother at all costs.
Herman & others (M, 30s-40s) Likable happy-go-lucky ranch hand. He is easy-going, the "good guy," and not easily rattled.
TRACK #7 (M, 20s-50s) Possesses strong musical abilities and able to take on many different physical and vocal characters
Capital Repertory Theatre
Albany, NY
04/18/2025
Technical
Notice: Stage Manager
CONTRACT
LORT Non-Rep
$1035 weekly minimum (LORT D) - Stage Manager
$850 weekly minimum (LORT D) - Assistant Stage Manager
SEEKING
Equity Stage Manager for Capital Repertory Theatre's 2025-26 LORT season.
SUBMISSION INSTRUCTIONS
Please submit your resume and cover letter for consideration.
Deadline: 05/12/2025
SUBMIT TO
Casting, Capital Repertory Theatre
251 N. Pearl St.
Albany, NY 12207
PERSONNEL
Leadership: Philip Morris, CEO;
Artistic Direction: Miriam Weisfeld, Maggie Mancinelli-Cahill,
Associate AD: Margaret E. Hall
Casting NYC: Stephanie Klapper, CSA
See breakdown for production-specific personnel.
OTHER DATES
See breakdown for production-specific dates.
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
CAPITAL REPERTORY THEATRE 2025-2026 SEASON
BECKY NURSE OF SALEM
Written by Sarah Ruhl, Directed by Margaret E. Hall
Starts reh: 9/2/25 , Previews 9/26-28 , Opens 9/30, Closes 10/19/25
MURDER FOR TWO: HOLIDAY EDITION
Book and Lyrics by Kellen Blair, Book and Music by Joe Kinosian, Directed by Scott Weinstein
Starts reh 11/7/25, Previews 11/28-11/30, Opens 12/2, Closes 12/28/25
ARCHDUKE
Written by Rajiv Joseph, Directed by Blanka Zizka
Reh starts 2/17/26, Previews 3/6-8, Opens 3/10, Closes 3/29/26
DODI & DIANA
Written by Kareem Fahmy, Directed by Michael John Garcés
Starts reh 3/31/26, previews 4/24-26, opens 4/28, closes 5/17/26
MYSTIC PIZZA
Book by Sandy Rustin, Based on the Metro-Goldwyn-Mayer motion picture
With story and characters by Amy Holden Jones, Directed by Martha Banta
Starts reh 6/16/26, previews 7/10-12, opens 7/14, closes 8/9/26
NYTheater Festival Fall/Winter 2025/2026
New York, NY
04/18/2025
Festival/Competition Submissions
Theater Festival & Competition
Total Prizes: $8,000
First Prize: $3,500
Full-Lengths | One Acts | Shorts | Solos
NY Theater Festival Fall/Winter 2025/2026
29th Season
The New York Theater Festival Competition for Plays and Musicals
Prizes Total: $8,000
First Prize: $3,500
Full-Lengths | One Acts | Shorts | Solos
No Submission Fee | No Participation Fee
Producing your play or musical is one of the best ways to review and develop your work. There is no charge for submitting, and every submission receives a response within 5 days.
The Festival offers up to $8,000 in prizes, with $3,500 awarded for the best play or musical. Our winners are selected by the Festival's team/judges, so it’s not a "popularity contest" based on audience size. Sometimes, smaller productions with limited budgets win first prize simply because they were excellent. We value sincere, heartfelt performances and authentic writing.
Prize categories include:
After your production, you can receive a 4K video recording of your show. The Festival uses four cameras to capture your performance from multiple angles, giving you a variety of shots to edit into a cohesive video. Central camera, Central zoom-ins, Right and Left. You’ll have access to raw footage which can be used without editing. This footage can serve as valuable marketing material and reel content for industry professionals. Plus, your friends and family can purchase Zoom tickets to watch your show from anywhere in the world!
This is a unique opportunity to have industry professionals see your production in person. Many industry insiders receive thousands of scripts each month and are far more likely to attend a live show than read an unsolicited script. By staging your work, you show that you’re serious about your production's potential to succeed.
We’re with you every step of the way:
We don’t just post a thumbnail and brief description. We create detailed posts with large posters and descriptions to showcase your show. You can easily share this with your network. In addition, all cast and crew receive free tickets to attend other productions in the Festival.
The Festival provides a professional venue with:
At the end of the Festival, we host an Award Ceremony to celebrate your achievements, similar to the Oscars, in front of your artistic peers. This is an unforgettable moment to honor your talent and success.
To submit to the Festival, visit NY Theater Festival
In 14 years and 28 seasons, the NY Theater Festival has successfully hosted 1,600 plays and 400 musicals, awarding cash prizes to over 400 artists. Yours could be next!
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